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Available on backorder
Announced on 5 February 2026, this is Canon’s first native RF mount fisheye zoom and the first lens of any make to offer a circular 190° angle of view. Zooming from 7mm to 14mm moves you from a full circular fisheye to a frame-filling one, which means a single lens covers two effects that previously needed two.
Paired with Canon’s EOS VR Utility software it also produces hemispherical 2D 180° VR images, so the same lens serves conventional fisheye work and immersive capture. Close focus of 0.15m lets you push right up to a subject and keep the whole environment curving away behind it.
Who it is for
Architecture and interiors shooters working in tight spaces, event and sports photographers covering stadiums, and anyone producing immersive or VR content who wants Canon’s L-series optics rather than an action camera.
For stereoscopic 3D VR rather than 2D, Canon’s dual-lens options are the RF-S 3.9mm Dual Fisheye and the RF-S 7.8mm Dual. For an ultra-wide rectilinear view with straight lines, see the RF 10-20mm f/4 L IS STM.
| Focal Length | 7-14mm |
| Maximum Aperture | f/2.8-3.5 |
| Angle of View | 190° circular |
| Construction (Groups, Elements) | 11, 16 |
| Closest Focusing Distance | 0.15m |
| Maximum Magnification | 0.35x (at 14mm, centre of frame) |
| Drive System | STM (stepping motor) |
| Filter | Drop-in Filter Mount Adapter EF-EOS R, three filter types supported |
| VR Capture | 2D 180° hemispherical panorama via EOS VR Utility |
| Diameter x Length | 76.5 × 109.4 mm |
| Weight | Approx. 476g |
| Mount | Canon RF, full frame |
| Brand | Canon |
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