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The Canon EOS R6 Mark II Mirrorless Camera is built for creators who need dependable full-frame performance, fast autofocus, and strong 4K image quality. With a 24.2MP sensor and Canon’s advanced image processor, it delivers clean low-light results, improved dynamic range, and impressive color straight out of the camera. Whether you’re shooting weddings, corporate films, documentaries, or high-end social media content, the R6 Mark II offers power and flexibility in every situation.
This product is available in three variants: Body Only, preferred by professionals who already own RF lenses; RF 24-105mm f/4L IS USM Kit, offering premium sharpness and constant f/4 aperture for commercial work; and RF 24-105mm f/4-7.1 IS STM Kit, a lightweight and budget-friendly option for everyday photography and video projects. The advanced Dual Pixel CMOS AF II system tracks eyes, faces, animals, and vehicles with exceptional accuracy, making it a reliable choice for action, events, and run-and-gun filmmaking.
With oversampled 4K video, strong stabilization, fast burst shooting, and intuitive controls, the EOS R6 Mark II is a trusted full-frame tool for content creators across India who need consistent, professional-level output.
Competitive Advantage Analysis
The EOS R6 Mark II stands ahead of many mid-range and professional mirrorless cameras with its combination of speed, low-light performance, and autofocus reliability. Its full-frame sensor outperforms smaller-sensor alternatives in dynamic range and depth-of-field control. Unlike models that struggle with rolling shutter or heavy 4K cropping, the R6 Mark II delivers oversampled 4K with smooth detail and reduced artifacts.
Its ability to shoot fast bursts makes it stronger for weddings, sports, and wildlife than many similarly priced models. The premium RF 24-105mm f/4L kit offers sharper optics and better stabilization, while the STM kit provides an affordable entry point without compromising image quality. With consistent performance in real-world conditions, the EOS R6 Mark II is a reliable long-term tool for hybrid creators.
Benefits
Full-frame clarity with strong low-light performance
Capture natural depth, cleaner shadows, and detailed images in challenging lighting.
Oversampled 4K for professional video projects
Produce crisp footage suitable for weddings, ads, documentaries, and YouTube content.
Advanced autofocus for every shooting scenario
Tracks eyes, faces, animals, and moving subjects with high accuracy.
Multiple kit options for different needs
Choose the premium L-series kit for commercial work or the lightweight STM kit for everyday content.
High-speed burst capture
Perfect for action, events, and wildlife moments that need quick response.
Reliable stabilization for handheld shooting
Shoot smoother videos and sharper images without relying heavily on gimbals.
Easy workflow and connectivity
Transfer files wirelessly and control the camera remotely with ease.
Is the Canon EOS R6 Mark II good for professional video work?
Yes. It offers oversampled 4K, reliable autofocus, and strong low-light performance suited for weddings, films, and commercial content.
Which kit should I choose: RF 24-105mm f/4L or RF 24-105mm f/4-7.1 STM?
Choose the f/4L kit for premium sharpness and professional work. The STM kit is lighter and great for everyday shooting.
Is the EOS R6 Mark II good for weddings and events?
Yes. Its low-light capabilities, fast autofocus, and strong color output make it ideal for wedding and event professionals in India.
Does the camera crop in 4K?
No. It offers oversampled 4K without heavy cropping, delivering better detail and clarity.
Is the EOS R6 Mark II suitable for wildlife photography?
Yes. Its burst shooting and subject-tracking AF perform well in fast-moving environments.
Does it support all Canon RF lenses?
Yes. You can use the full RF lineup, including compact primes and professional L-series zooms.
Is there a mic input for better audio?
Yes. It supports external microphones for higher-quality audio recording.
How does it perform in low light?
The full-frame sensor and improved processing allow clean, detailed results in indoor and nighttime scenes.
Can I transfer footage directly to my phone?
Yes. Built-in Wi-Fi and Bluetooth make sharing quick and convenient.
Why Choose Us
We are Canon Image Square, Mumbai’s flagship Canon store trusted by top filmmakers, photographers, media studios, and creators across India. We offer genuine Canon products, expert assistance, and reliable after-sales support. Visit us or shop online to get authentic gear with full Canon India warranty.
| AF Modes | One-Shot AF, AI Focus AF, Servo AF |
| AF Point Selection | Spot AF, 1-point AF, Expand AF area (above/below/left/right or around), Flexible Zone AF 1 / 2 / 3, Whole area AF |
| AF System Points | Maximum 1053 AF frame zones (Stills/Movies) |
| Built-in Flash | – |
| Closest Focusing Distance (cm) | 0.45cm |
| Continuous Shooting Speed (shots/s) (Up to) | Mechanical shutter & Electronic 1st curtain: 12 Electronic shutter: 40 |
| Digital Zoom | Digital Tele-converter x2.0 & x4.0 |
| Dimensions (Excl. Protrusions) | 138.4 x 98.4 x 88.4mm |
| Drive System | Nano USM |
| Effective ISO | Stills: 100–102,400 (L:50 / H:204,800) Movie: 100–25,600 (H:204800) Canon Log movies: ISO 800–25,600 (L:100-640, H:32,000 – 204,800) HDR PQ movies: ISO 100–25,600 |
| Effective Pixels (Megapixels) | 24.2 |
| Exposure Compensation | ±3 stops in 1/3-stop or 1/2-stop increments AEB: ±3 stops in 1/3-stop or 1/2-stop increments |
| Eye Detection AF | Auto/ Left Eye/ Right Eye (Auto, People and Animal AF mode) |
| Flash Modes | – |
| Focal Length (35mm Equivalent) | 24-105mm |
| Guide Number ISO 100m | – |
| Image Resolution | 6000×4000 (JPEG L/RAW/C-RAW/HEIF) 3984×2656 (HEIF, JPEG M) 2976×1984 (HEIF, JPEG S1) 2400×1600 (HEIF, JPEG S2) |
| In-body Image Stabilizer (sensor shift IS) | Yes |
| LCD Monitor (Size) | 7.62cm (3.0in) |
| LCD Monitor Resolutions | 1.62 million |
| Manual Focus | Yes |
| Memory Card Type | Dual Card Slots (SD, SDHC*, SDXC*) *UHS-II cards supported |
| Metering Mode | Stills: Evaluative, Partial, Spot, Center-weighted average Movie: Evaluative (when faces are detected), Center-weighted average (when no faces are detected/When set to Canon Log 3) |
| Movie Digital IS | Yes |
| Movie Format | MP4 |
| Optical Image Stabilizer | Yes |
| Optical Zoom | 4.3x |
| Optional Power | AC Power (AC Adapter AC-E6N and DC Coupler DR-E6) USB Power (PD-E1) |
| Peripheral Connections | USB Type-C (SuperSpeed Plus USB (USB 3.2 Gen 2) equivalent) External microphone IN Headphone terminal HDMI micro (Type D) Remote control (BR-E1 via Bluetooth connection) |
| Processor Type | DIGIC X |
| Sensor Size | Full-frame CMOS |
| Shooting Modes | A+/Special scene mode/Creative filters/Fv/P/Tv/Av/M/B/C1/C2/C3 |
| Shutter Speed Range (s) | Stills: Mechanical / Electronic 1st-curtain: 30 – 1/8000 Electronic shutter: 30 – 1/16000Movie recording: Auto exposure: 1/60* – 1/8000 Shutter-priority/Manual exposure: 1/8* – 1/8000 *Varies by shooting mode and frame rate |
| Silent Shutter | Yes |
| Standard Power Supply | LP-E6NH / LP-E6N / LP-E6 |
| Still Image Format | JPEG, HEIF, RAW, C-RAW |
| Viewfinder Coverage | 100% |
| Viewfinder Type | 1.27cm (0.5in) OLED, approx. 3.69million dots 59.94/119.88 frames per second (fps) Refresh Rate |
| Weight (Including the battery and memory card) (Approx.) *For camera kits, weight includes kit lens(es). |
1370g |
| White Balance | Auto (Ambience priority / White priority), Daylight, Shade, Cloudy (Effective in twilight and sunset), Tungsten light, White fluorescent light, Flash*, Custom, Color temperature setting (approx. 2500–10000 K)
Shoot to set white balance (Live View), White balance shift and white balance bracketing features available *Flash color temperature information transmission possible (EX / EL Series Speedlite) |
| X-sync | Mechanical shutter: 1/200s Electronic 1st curtain: 1/250s |
| Brand | Canon |
|---|---|
| Options | Body + 24-105mm f/4 Lens, Body + RF 24-105mm f/4-7.1 IS STM Lens, Body Only |
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